
Georgetown University
Heart of the Harvey
Director & Producer, Heart of the Harvey Performing Arts Festival
Georgetown University & Georgetown School of Medicine
W. Proctor Harvey Amphitheater, GU Medical Center
"Georgetown students and faculty paused amid the gathering storm of spring finals to create an emotional haven in the medical center’s W. Proctor Harvey Clinical Teaching Amphitheater. The Heart of the Harvey performing arts showcase on April 17, 2026, brought together actors, poets, musicians and dancers to reflect on “the art of medicine and the medicine of art” – the human dimension of sickness and health, trauma and treatment, death and life." - Georgetown Biomedical Graduate Program Newsletter
A Festival of Performing Arts in Collaboration with Georgetown University and the Georgetown University School of Medicine. Sponsored by the Engelhard Program, the Office of Scholarly Publications, Medical Humanities, and the Department of Performing Arts, this evening of music, dance, poetry, prose, film, and theater with scientific and medical themes brought the enormous crowd to tears and laughter at the W. Proctor Harvey Amphitheater on the Georgetown University Medical Campus. Produced and directed by April E. Brassard and founder Bill Rebeck, the successful festival will run again in April of 2027.
Heart of the Harvey Press
Orlando
Director, Orlando by Sarah Ruhl
Main Stage Production at the Gonda Theater, Georgetown University, Fall 2025



"That was magical."
"Under the direction of April E. Brassard, the actors give performances that are uniformly thoughtful and spirited. April E. Brassard's directing emphasized the choral nature of the relationships between the individual Orlando and the society that Orlando inhabits. That was magical." - DC Theater Arts
"Impeccable direction."
"Directed by April E. Brassard, the Davis Performing Arts Center’s “Orlando” turns a famously disorienting story into something digestible yet deeply emotional and intellectual, faithfully capturing Woolf’s original, nuanced message about these age-old questions... To stage “Orlando” is to confront its reputation: slippery, fantastical and famously hard to follow. Yet under Brassard’s impeccable direction, the production leans into that challenge with playfulness. Scenes shift across continents and centuries, but the audience is never lost — a testament to the production’s firm grasp and familiarity with the pacing and tone of the script. Brassard allows the strangeness to breathe without letting confusion disrupt. “Orlando” lingers with the audience long after the final bows. Brassard’s production reminds us that life’s meanings are not handed to us in neat revelations. It is felt in longing, passion, subtleties and in the poetry we have yet to write. Brassard’s clear direction, coupled with the strong performances and thoughtful design, made “Orlando” an engaging adaptation of Woolf’s very human novel, leaving the audience feeling intimate with the questions of love, loss and becoming posed on the stage." - The Hoya Newspaper
Immortality becomes her. Orlando is a surrealist masterpiece for the stage, a visceral exploration of existentialism, identity, transformation, and the multifaceted, life-altering entity we call love. After a young English nobleman becomes romantically entangled with Queen Elizabeth, he is given eternal life, a polarizing, double-edged sword of a gift; in the midst of the five centuries we witness, Orlando awakes as a woman, remembering the privileges of life as a man, and managing the pitfalls of womanhood. Sarah Ruhl’s stage adaptation of Virginia Woolf’s novel–written as a love letter to an illicit paramour– is nuanced, animated, and engaging, a magnificent canvas for Georgetown’s incredible designers. Gonda Theatre, Davis Performing Arts Center, Georgetown University, Fall 2025
Orlando Press








George Mason University
Beautiful Indifference

Playwright, Producer, and Scenic Designer
"Remarkable."
"An altogether captivating watch."
"The ambitious traumedy shows promise and poignant themes. Often the play is poetic and cryptic, fully in a liminal space. The script of Beautiful Indifference, often abstract and poetic, allows for beautiful performances and stunning stage pictures when it is untethered by attempting realism."
-DC Theater Arts Review
Beautiful Indifference tells the story of three generations of beauties and three generations of their beholders. The one-act illustrates the fractured relationships of the René/Dulac family and the intergenerational trauma that plagues them.


Based on the Staged Reading of April's play, La Belle Indifference

The Morphine Diaries
Playwright, Producer
Scenic Designer
Press & Praise
- MD Theater Guide
"The Morphine Diaries dares to present masked truth of addiction, and is successful in doing so. Whether or not you have been affected yourself, you will leave the show with empathy for those who have. With abuse in every form becoming more rampant, The Morphine Diaries is a MUST-SEE." - Washington City Paper
"The morphine diaries is a difficult show to watch because it is uncomfortably, terrifyingly honest, but it is also a MUST-SEE for those reasons." - MD Theater Guide
"In an intimate setting, patrons are confronted with primal emotions... this is one you should not miss." - DC Theater Scene








The Morphine Diaries was featured at the DC Capital Fringe Festival. It received five-star, must-see reviews from the DC Theater Scene, MD Theater Guide, and the Washington City Paper.
plot:
A young woman battling chronic illness comes to terms with the demons ravaging her, internally and externally, while becoming dangerously addicted to the drug that saves her.

Theater Production Experience
Playwright | Director | Dramaturg | Stage Manager | Prop Master
Actress | Scenic Designer | Technical Director | Scenic Paint Charge
Ten original plays written and produced in Washington, DC
Georgetown University | Capital Fringe Festival | George Mason University
Theater of the First Amendment | Active Cultures Theater
Prose
April has written three fiction novels and is working on a fourth.
She completed her debut YA novel, Darling, Let's Run, in 2022. This is book one of a trilogy, rooted in realism and naturalism, filled with tragedy, beauty, love, loss, and hope. She has written two other novels, ranging from a salacious summer to haunted souls. All of her books are currently waiting with bated breath for the right publisher.


photo by seph lawless
photo by justine kurland















































































































